Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: Lowen Ashleigh is hired by Jeremy Crawford to ghostwrite novels for his bestselling author wife Verity, who is unable to finish following an accident. Lowen gradually uncovers Verity's disturbing truths while residing at the Crawfords' home to work.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 2, 2026 | $15,102,000 | + 0.00% | 3510 |
| Name | Character |
|---|---|
| Anne Hathaway | Verity Crawford |
| Dakota Johnson | Lowen Ashleigh |
| Josh Hartnett | Jeremy Crawford |
| Brady Wagner | Crew Crawford |
| Ismael Cruz Cordova | Corey |
| Irina Dvorovenko | Anna |
| Sienna Kulovitz | Harper Crawford |
| K.K. Moggie | Amanda Thomas |
| Tom Galantich | Barron Stephens |
| Lou Martini Jr. | Limo Driver |
| Michael Abbott Jr. | Sheriff Wilson |
| Clark Carmichael | Deputy Ross |
| Stephen Elrod | Bartender |
| Nathan Tylutki | Bystander |
| Thursday Farrar | Bystander |
| Asel Swango | Bystander |
| Daniel Echevarria | Bystander |
| Wren Rivera | Woman on Phone (voice) |
| Emily McEnroe | Olivia (Intern) |
| Luke Klein | Cole |
| Tanya Lim | Lucy |
| Colleen Hoover | Lin Murphy |
| Gayle King | Herself |
| Alex Cooper | Herself |
| Sean Evans | Himself |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Girl in the Spider's Web | Oct 25, 2018 | $43M |
| Profile | Mar 11, 2018 | $0 |
| The Marsh King's Daughter | Sep 28, 2023 | $0 |
| Crime 101 | Feb 11, 2026 | $90M |
| The Snowman | Aug 24, 2017 | $35M |
| The Girl on the Train | Oct 5, 2016 | $45M |
| Knock at the Cabin | Feb 1, 2023 | $20M |
| The Housemaid | Dec 18, 2025 | $35M |
Week 1: $15.1M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $40M
P&A: $40M
Gross: $0.00
Net: $9.06M
Costs: $80M
Profit: $-70.94M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.