Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: When an elusive thief whose high-stakes heists unfold along the iconic 101 freeway in Los Angeles eyes the score of a lifetime, with hopes of this being his final job, his path collides with a disillusioned insurance broker who is facing her own crossroads, forcing the two to collaborate. Determined to crack the case, a relentless detective closes in on the operation, raising the stakes even higher.
TMDB
IMDB
Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|
Cast
| Name | Character |
|---|---|
| Chris Hemsworth | Mike Davis |
| Halle Berry | Sharon |
| Mark Ruffalo | Detective Lou Lubesnick |
| Barry Keoghan | Ormon |
| Monica Barbaro | Maya |
| Corey Hawkins | Tillman |
| Jennifer Jason Leigh | N/A |
| Nick Nolte | Money |
| Tate Donovan | N/A |
| Devon Bostick | N/A |
| Paul Adelstein | N/A |
| Matthew Del Negro | N/A |
| Deborah Hedwall | N/A |
| Drew Powell | N/A |
| Babak Tafti | N/A |
| Payman Maadi | N/A |
| John Douglas | Grant |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Nightmare Alley | Dec 2, 2021 | $60M |
| London Fields | Sep 20, 2018 | $8M |
| Let Him Go | Nov 5, 2020 | $21M |
| The Girl on the Train | Oct 5, 2016 | $45M |
| A Simple Favor | Aug 29, 2018 | $20M |
| The Marsh King's Daughter | Sep 28, 2023 | $0 |
| The Girl in the Spider's Web | Oct 25, 2018 | $43M |
| The Snowman | Aug 24, 2017 | $35M |
Profitability Breakdown
Domestic
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (NaN%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $0.00
Net: $0.00
Costs: $0.00
Profit
Profit: $0.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
