Movie Information
Domestic Total: 7.46M
Opening Weekend: 3.56M
Legs: 2.09
Overview: Disowned at birth by his obscenely wealthy family, blue-collar Becket Redfellow will stop at nothing to reclaim his inheritance, no matter how many relatives stand in his way.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 20, 2026 | $1,667,268 | + 0.00% | 1625 |
| Sat, Feb 21, 2026 | $1,133,742 | -32.00% | 1625 |
| Sun, Feb 22, 2026 | $759,607 | -33.00% | 1625 |
| Tue, Feb 24, 2026 | $471,112 | -37.98% | 1625 |
| Wed, Feb 25, 2026 | $268,682 | -42.97% | 1625 |
| Thu, Feb 26, 2026 | $225,693 | -16.00% | 1625 |
| Fri, Feb 27, 2026 | $452,212 | + 100.37% | 1726 |
| Sat, Feb 28, 2026 | $645,524 | + 42.75% | 1726 |
| Sun, Mar 1, 2026 | $464,777 | -28.00% | 1726 |
| Tue, Mar 3, 2026 | $321,236 | -30.88% | 1726 |
| Wed, Mar 4, 2026 | $201,112 | -37.39% | 1726 |
| Thu, Mar 5, 2026 | $125,098 | -37.80% | 1726 |
| Fri, Mar 6, 2026 | $110,942 | -11.32% | 502 |
| Sat, Mar 7, 2026 | $155,620 | + 40.27% | 502 |
| Sun, Mar 8, 2026 | $108,934 | -30.00% | 502 |
| Mon, Mar 9, 2026 | $39,099 | -64.11% | 502 |
| Tue, Mar 10, 2026 | $65,931 | + 68.63% | 502 |
| Wed, Mar 11, 2026 | $44,762 | -32.11% | 502 |
| Thu, Mar 12, 2026 | $34,957 | -21.90% | 502 |
| Fri, Mar 13, 2026 | $29,075 | -16.83% | 102 |
| Sat, Mar 14, 2026 | $38,670 | + 33.00% | 102 |
| Sun, Mar 15, 2026 | $29,002 | -25.00% | 102 |
| Mon, Mar 16, 2026 | $9,976 | -65.60% | 102 |
| Tue, Mar 17, 2026 | $18,943 | + 89.89% | 102 |
| Wed, Mar 18, 2026 | $16,444 | -13.19% | 102 |
| Thu, Mar 19, 2026 | $7,541 | -54.14% | 102 |
| Fri, Mar 20, 2026 | $2,899 | -61.56% | 28 |
| Sat, Mar 21, 2026 | $5,740 | + 98.00% | 28 |
| Sun, Mar 22, 2026 | $4,305 | -25.00% | 28 |
Cast
| Name | Character |
|---|---|
| Glen Powell | Becket Redfellow |
| Margaret Qualley | Julia Steinway |
| Jessica Henwick | Ruth |
| Ed Harris | Whitelaw Redfellow |
| Bill Camp | Warren Redfellow |
| Topher Grace | Pastor Steven J. Redfellow |
| Zach Woods | Noah Redfellow |
| Bianca Amato | Cassandra Redfellow |
| Raff Law | Taylor Redfellow |
| Alexander Hanson | McArthur Redfellow |
| Nell Williams | Mary Redfellow |
| Sean Cameron Michael | Charles |
| Grady Wilson | Young Becket |
| Maggie Toomey | Young Julia |
| Lisa Tredoux | Julia's Mother |
| James Frecheville | Lyle |
| Martin Munro | Darryl |
| Susan Danford | Leslie Stahl |
| Stevel Marc | FBI Agent Brad Matthews |
| Tomas Pais | Tobin |
| Jock Kleynhans | Taylor's Friend #1 |
| Aidan Scott | Taylor's Friend #2 |
| Gabe Gabriel | Intern #1 |
| Ethan Saunders | Intern #2 |
| Roxanne Prentice | Noah Interviewer |
| Joe Vaz | McArthur Journalist |
| Ralf Little | Realtor |
| Tyron Mckinnon | Lyle's Office Guard |
| Chris van Rensburg | Detective |
| Motsi Tekateka | Cop |
| André Jacobs | Judge |
| Robert Hobbs | Attorny |
| Daniel Barnett | Forensics Expert |
| Roger Thomas | Police Chief |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Promising Young Woman | Dec 13, 2020 | $10M |
| Suburbicon | Oct 26, 2017 | $25M |
| Rough Night | Jun 15, 2017 | $20M |
| We Are Your Friends | Aug 26, 2015 | $6M |
| Bridget Jones's Baby | Sep 14, 2016 | $35M |
| Our Brand Is Crisis | Sep 11, 2015 | $28M |
| The Roses | Aug 27, 2025 | $31M |
| Cold Pursuit | Feb 7, 2019 | $60M |
Profitability Breakdown
Domestic
Week 1: $4.98M
Week 2: $2.02M
Investor Share: $1.11M
Week 3+: $456.28K
Investor Share: $228.14K
International
$41.52K (0.55%)
Investor Share: $14.53K
Costs
Budget: $40M
P&A: $40M
Breakdown
Gross: $7.5M
Net: $4.34M
Costs: $80M
Profit
Profit: $-75.66M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
