Domestic Total: 163.92K
Opening Weekend: 106.75K
Legs: 1.54
Overview: Based on the true story of Montrealer Ken Carter, the “Mad Canadian” stunt driver who tried to jump the Saint Lawrence River in a rocket car in the mid-’70s. Carter's dream was to end his 30-year career with a big jump, a big paycheck, and mega stardom. In the process of accomplishing it, he hired a big sports manager and enlisted the best in rocket car design, with the National Film Board of Canada filming a documentary leading up to the event.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 25, 2026 | $61,928 | + 0.00% | 670 |
| Sat, Sep 26, 2026 | $24,353 | -60.68% | 670 |
| Sun, Sep 27, 2026 | $20,470 | -15.94% | 670 |
| Mon, Sep 28, 2026 | $15,283 | -25.34% | 670 |
| Tue, Sep 29, 2026 | $19,168 | + 25.42% | 670 |
| Wed, Sep 30, 2026 | $15,168 | -20.87% | 670 |
| Thu, Oct 1, 2026 | $7,548 | -50.24% | 670 |
| Name | Character |
|---|---|
| Jay Baruchel | Ken Carter |
| Ed Helms | Dick Keller |
| Ben Foster | Evel Knievel |
| Laurence Leboeuf | Gloria |
| Dan Bakkedahl | N/A |
| Joe Cobden | N/A |
| Marc Beaupré | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Our Brand Is Crisis | Sep 11, 2015 | $28M |
| Tully | May 4, 2018 | $0 |
| Violent Night | Nov 30, 2022 | $20M |
| Fifty Shades of Black | Jan 28, 2016 | $20M |
| Whiskey Tango Foxtrot | Mar 4, 2016 | $35M |
| Next Goal Wins | Nov 16, 2023 | $14M |
| The Upside | Jan 10, 2019 | $38M |
| Cold Pursuit | Feb 7, 2019 | $60M |
Week 1: $163.92K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $163.92K
Net: $98.35K
Costs: $0.00
Profit: $98.35K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.