Movie Information
Domestic Total: 45.26K
Opening Weekend: 10.34K
Legs: 4.20
Overview: Jules, a young Parisian postman, secretly records a concert performance given by the opera singer Cynthia Hawkins, whom he idolises. The following day, Jules runs into a woman who is being pursued by armed thugs. Before she is killed, the woman slips an audio cassette into his mail bag...
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
Cast
| Name | Character |
|---|---|
| Frédéric Andréi | Jules |
| Richard Bohringer | Gorodish |
| Roland Bertin | Weinstadt |
| Wilhelmenia Fernandez | Cynthia Hawkins |
| Thuy An Luu | Alba |
| Chantal Deruaz | Nadia |
| Anny Romand | Paula |
| Dominique Pinon | Le curé |
| Brigitte Lahaie | La fille dont la jupe s'envole |
| Gérard Darmon | L'Antillais |
| Jacques Fabbri | Commissaire Jean Saporta |
| Patrick Floersheim | Zatopek |
| Jean-Jacques Moreau | Krantz |
| Tania Zabaloieff | N/A |
| Robyn Bernard | N/A |
| Marthe Moudiki-Moreau | N/A |
| Isabelle Mergault | La fille du jeu vidéo |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| La Chimera | Oct 12, 2023 | $0 |
| The Catcher Was a Spy | Jun 22, 2018 | $0 |
| The Rhythm Section | Jan 31, 2020 | $50M |
| Conclave | Oct 25, 2024 | $20M |
| American Assassin | Sep 14, 2017 | $33M |
| A Haunting in Venice | Sep 13, 2023 | $60M |
| No Time to Die | Sep 29, 2021 | $250M |
| The Count of Monte Cristo | Jun 28, 2024 | $46M |
Profitability Breakdown
Domestic
Week 1: $20.85K
Week 2: $9.23K
Investor Share: $5.08K
Week 3+: $15.18K
Investor Share: $7.59K
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $45.26K
Net: $25.18K
Costs: $0.00
Profit
Profit: $25.18K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
