Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: A GREAT AWAKENING tells the true story of an unlikely friendship between the Reverend George Whitefield and Benjamin Franklin that resulted in one of the most defining moments in American history. With the colonies on the brink of collapse, the Reverend George Whitefield ignites the first Great Awakening, uniting an entire generation with his thundering and faithful sermons and proclamations of liberty. In a miraculous turn of events, one of Whitefield’s closest friends and greatest promoters becomes none other than Benjamin Franklin. With the nation’s freedom hanging in the balance, the founders discover true liberty cannot only be written into law - it must be awakened in the hearts of the people.
TMDB
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Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|
Cast
| Name | Character |
|---|---|
| John Paul Sneed | Benjamin Franklin |
| Jonathan Blair | George Whitefield |
| Josh Bates | Alexander Hamilton |
| Joe Dignoti | Bread vendor |
| Stephen Foster Harris | William Blount |
| Zac Johnson | Caleb Strong |
| Matt Meyer | Robert Yates |
| Stephen Atherholt | Gunning Bedford Jr. |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| King Richard | Nov 18, 2021 | $50M |
| Bob Marley: One Love | Feb 14, 2024 | $70M |
| Harriet | Nov 1, 2019 | $17M |
| Operation Finale | Aug 29, 2018 | $24M |
| Eddie the Eagle | Feb 25, 2016 | $23M |
| Cabrini | Mar 7, 2024 | $50M |
| Respect | Aug 12, 2021 | $55M |
| Chappaquiddick | Apr 6, 2018 | $34M |
Profitability Breakdown
Domestic
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Week 2: $0.00
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Week 3+: $0.00
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International
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Costs
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Breakdown
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Profit
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The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
