Movie Information
Domestic Total: 65.45M
Opening Weekend: 25.11M
Legs: 2.61
Overview: Gemma, a young mother raising her daughter in the house she grew up in, discovers she can travel into The Further, where she possesses an ability to bring what lives there back to the real world.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 21, 2026 | $10,675,888 | + 0.00% | 3303 |
| Sat, Aug 22, 2026 | $8,674,923 | -18.74% | 3303 |
| Sun, Aug 23, 2026 | $5,755,209 | -33.66% | 3303 |
| Mon, Aug 24, 2026 | $2,101,444 | -63.49% | 3303 |
| Tue, Aug 25, 2026 | $2,949,766 | + 40.37% | 3303 |
| Wed, Aug 26, 2026 | $1,821,571 | -38.25% | 3303 |
| Thu, Aug 27, 2026 | $1,551,306 | -14.84% | 3303 |
| Fri, Aug 28, 2026 | $2,984,017 | + 92.36% | 3303 |
| Sat, Aug 29, 2026 | $4,394,950 | + 47.28% | 3303 |
| Sun, Aug 30, 2026 | $2,825,728 | -35.71% | 3303 |
| Mon, Aug 31, 2026 | $911,537 | -67.74% | 3303 |
| Tue, Sep 1, 2026 | $1,280,213 | + 40.45% | 3303 |
| Wed, Sep 2, 2026 | $848,735 | -33.70% | 3303 |
| Thu, Sep 3, 2026 | $814,472 | -4.04% | 3303 |
| Fri, Sep 4, 2026 | $1,648,182 | + 102.36% | 2897 |
| Sat, Sep 5, 2026 | $2,442,407 | + 48.19% | 2897 |
| Sun, Sep 6, 2026 | $2,421,726 | -0.85% | 2897 |
| Mon, Sep 7, 2026 | $1,494,385 | -38.29% | 2897 |
| Tue, Sep 8, 2026 | $680,567 | -54.46% | 2897 |
| Wed, Sep 9, 2026 | $483,914 | -28.90% | 2897 |
| Thu, Sep 10, 2026 | $418,831 | -13.45% | 2897 |
| Fri, Sep 11, 2026 | $965,064 | + 130.42% | 2353 |
| Sat, Sep 12, 2026 | $1,506,708 | + 56.13% | 2353 |
| Sun, Sep 13, 2026 | $931,815 | -38.16% | 2353 |
| Mon, Sep 14, 2026 | $328,261 | -64.77% | 2353 |
| Tue, Sep 15, 2026 | $435,819 | + 32.77% | 2353 |
| Wed, Sep 16, 2026 | $331,814 | -23.86% | 2353 |
| Thu, Sep 17, 2026 | $225,352 | -32.08% | 2353 |
| Fri, Sep 18, 2026 | $534,138 | + 137.02% | 1740 |
| Sat, Sep 19, 2026 | $833,560 | + 56.06% | 1740 |
| Sun, Sep 20, 2026 | $484,916 | -41.83% | 1740 |
| Mon, Sep 21, 2026 | $180,381 | -62.80% | 1740 |
| Tue, Sep 22, 2026 | $224,233 | + 24.31% | 1740 |
| Wed, Sep 23, 2026 | $175,257 | -21.84% | 1740 |
| Thu, Sep 24, 2026 | $101,074 | -42.33% | 1740 |
| Fri, Sep 25, 2026 | $221,553 | + 119.20% | 722 |
| Sat, Sep 26, 2026 | $334,561 | + 51.01% | 722 |
| Sun, Sep 27, 2026 | $179,198 | -46.44% | 722 |
| Mon, Sep 28, 2026 | $70,234 | -60.81% | 722 |
| Tue, Sep 29, 2026 | $86,063 | + 22.54% | 722 |
| Wed, Sep 30, 2026 | $69,345 | -19.43% | 722 |
| Thu, Oct 1, 2026 | $49,878 | -28.07% | 722 |
Cast
| Name | Character |
|---|---|
| Amelia Eve | Gemma |
| Island Austin | Maya |
| Lin Shaye | Elise Rainier |
| Sam Spruell | Cyrus |
| Brandon Perea | Nick |
| Maisie Richardson-Sellers | Clare |
| Joseph Lopez | Lester |
| Laura Gordon | Ingrid |
| Charli Penton | Young Gemma |
| Taylor Bogrand | Doll Girl |
| Ben Keller | Young Lester |
| Susan Gray | Patsy |
| Robina Beard | Edna |
| Joseph Bishara | Lipstick Demon |
| David Kambouris | Bride in Black |
| Jasper Cleary | KeyFace |
| Christopher Stenning | Wheezing Man |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Don't Breathe 2 | Aug 12, 2021 | $15M |
| Don't Breathe | Jun 8, 2016 | $10M |
| Afraid | Aug 28, 2024 | $12M |
| The Invitation | Aug 24, 2022 | $10M |
| Split | Jan 19, 2017 | $9M |
| Incarnate | Dec 1, 2016 | $5M |
| Insidious: The Last Key | Jan 3, 2018 | $10M |
| Insidious: The Red Door | Jul 5, 2023 | $16M |
Profitability Breakdown
Domestic
Week 1: $33.53M
Week 2: $14.06M
Investor Share: $7.73M
Week 3+: $17.86M
Investor Share: $8.93M
International
$102.59M (61.05%)
Investor Share: $35.9M
Costs
Budget: $18M
P&A: $18M
Breakdown
Gross: $168.03M
Net: $72.69M
Costs: $36M
Profit
Profit: $36.69M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
