Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: Captured live over the course of GHOST’s two sold-out shows in Mexico City last year, 2 BIG TO RIG is the definitive document of the band's unforgettable SKELETOUR WORLD TOUR, presented in IMAX® in select locations. Featuring the only pro-shot footage of Papa V Perpetua and his band of Nameless Ghouls from the phone-free SKELETOUR, 2 BIG TO RIG immerses the audience in the GHOST live ritual, including exclusive behind-the-scenes and backstage access.
TMDB
IMDB
Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|
Cast
| Name | Character |
|---|---|
| Tobias Forge | Papa V Perpetua |
| Per Eriksson | Nameless Ghoul |
| Cosmo Sniderman | Nameless Ghoul |
| Hayden C Scott | Nameless Ghoul |
| Laura Scarborough | Nameless Ghoul |
| Olivia Morreale | Nameless Ghoul |
| Randy Moore | Nameless Ghoul |
| Gabriela Gunčíková | Nameless Ghoul |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Spider-Man: Far From Home | Jun 28, 2019 | $160M |
| Penguins | Apr 17, 2019 | $0 |
| Summer of Soul (...Or, When the Revolution Could Not Be Televised) | Jul 2, 2021 | $0 |
| Something to Stand for with Mike Rowe | Jun 27, 2024 | $0 |
| Kevin Hart: What Now? | Oct 14, 2016 | $10M |
| Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D) | May 6, 2026 | $65M |
| TAYLOR SWIFT | THE ERAS TOUR | Oct 13, 2023 | $15M |
| Renaissance: A Film by Beyoncé | Dec 1, 2023 | $15M |
Profitability Breakdown
Domestic
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (NaN%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
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Net: $0.00
Costs: $0.00
Profit
Profit: $0.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.