Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: An idealistic young politician juggles familial issues and a challenging work life while preparing to take over the job of her mentor, the state’s longtime incumbent governor.
TMDB
IMDB
Metacritic
RT Tomato
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|
Cast
| Name | Character |
|---|---|
| Emma Mackey | Ella McCay |
| Jamie Lee Curtis | Helen McCay |
| Woody Harrelson | Eddie McCay |
| Spike Fearn | Casey McCay |
| Ayo Edebiri | Susan |
| Albert Brooks | Governor Bill |
| Rebecca Hall | Claire McCay |
| Jack Lowden | Ryan Newell |
| Kumail Nanjiani | Trooper Nash |
| Sheetal Sheth | Audrey |
| Erica McDermott | N/A |
| Anthony Gaita | N/A |
| Julie Kavner | Estelle |
| Becky Ann Baker | N/A |
| Joel Brooks | N/A |
| Troy Garity | N/A |
| Joseph Brooks | State Trooper Alexander |
| Gary Tanguay | Baritone Senator |
| Amelie McKendry | Dental Hygienist |
| Tamara Hopkins | Ryan's Mom |
| Pamela Figueiredo | Ayden Summers |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Jules | Aug 10, 2023 | $0 |
| Treasure | Jun 13, 2024 | $2M |
| Babylon | Dec 22, 2022 | $78M |
| The Edge of Seventeen | Nov 18, 2016 | $9M |
| The Book of Clarence | Jan 11, 2024 | $40M |
| The Promise | Dec 2, 2016 | $90M |
| Ricki and the Flash | Jul 10, 2015 | $18M |
| Almost Christmas | Nov 11, 2016 | $17M |
Profitability Breakdown
Domestic
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (NaN%)
Investor Share: $N/A
Costs
Budget: $35M
P&A: $35M
Breakdown
Gross: $0.00
Net: $0.00
Costs: $70M
Profit
Profit: $-70M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
