Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: A man from the future arrives at a diner in Los Angeles where he must recruit the precise combination of disgruntled patrons to join him on a one-night-six-block quest to save the world from the terminal threat of a rogue artificial intelligence.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Sam Rockwell | Man From The Future |
| Haley Lu Richardson | Ingrid |
| Michael Peña | Mark |
| Zazie Beetz | Janet |
| Juno Temple | Susan |
| Dino Fetscher | Blaise |
| Georgia Goodman | N/A |
| Dominique Maher | Samantha |
| Ethan Saunders | N/A |
| Mike Gassaway | Marcus |
| Conrad Kemp | Jim |
| Stevel Marc | Doctor Marc |
| Riccardo Drayton | N/A |
| Teddy Holton-Frances | N/A |
| Meghan Oberholzer | N/A |
| Adam Burton | N/A |
| Joe Vaz | N/A |
| Anna Acton | Jillian |
| Ryan Kruger | Greg |
| Asim Chaudhry | Scott |
| Tom Taylor | Tim |
| Cassiel Eatock-Winnik | Grade 9 Girl |
| Elly Condron | Sarah |
| David Sturzaker | Henry |
| Artie Wilkinson-Hunt | AI Boy |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Killer's Game | Sep 12, 2024 | $30M |
| The Hitman's Bodyguard | Aug 16, 2017 | $30M |
| Independence Day: Resurgence | Jun 22, 2016 | $165M |
| Free Guy | Aug 11, 2021 | $110M |
| Jurassic World Rebirth | Jul 1, 2025 | $180M |
| Elevation | Nov 7, 2024 | $18M |
| Operation Fortune: Ruse de Guerre | Jan 4, 2023 | $50M |
| Hardcore Henry | Sep 12, 2015 | $2M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $0.00
Net: $0.00
Costs: $0.00
Profit: $0.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.