Movie Information
Domestic Total: 170.31K
Opening Weekend: 34.06K
Legs: 1.25
Overview: A man and his son arrive at a rave lost in the mountains of Morocco. They are looking for Marina, their daughter and sister, who disappeared months ago at another rave. Driven by fate, they decide to follow a group of ravers in search of one last party, in hopes Marina will be there.
TMDB
IMDB
Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 14, 2025 | $9,757 | + 0.00% | 2 |
| Sat, Nov 15, 2025 | $13,100 | + 34.26% | 2 |
| Sun, Nov 16, 2025 | $11,200 | -14.50% | 2 |
| Fri, Feb 6, 2026 | $44,954 | + 301.38% | 4 |
| Sat, Feb 7, 2026 | $50,798 | + 13.00% | 4 |
| Sun, Feb 8, 2026 | $40,500 | -20.27% | 4 |
Cast
| Name | Character |
|---|---|
| Sergi López | Luis |
| Bruno Núñez | Esteban |
| Stefania Gadda | Steff |
| Joshua Liam Henderson | Josh |
| Richard Bellamy | Bigui |
| Tonin Janvier | Tonin |
| Jade Oukid | Jade |
| Ahmed Abbou | Berber shepherd |
| Abdellilah Madrari | Gasoline seller 1 |
| Mohamed Madrari | Gasoline seller 2 |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Rhythm Section | Jan 31, 2020 | $50M |
| The 355 | Jan 5, 2022 | $75M |
| The Outfit | Feb 25, 2022 | $5M |
| Emily the Criminal | Aug 12, 2022 | $2M |
| The Art of Self-Defense | Jul 12, 2019 | $2M |
| Everybody Knows | May 9, 2018 | $11M |
| Allied | Feb 12, 2016 | $106M |
| Stillwater | Jul 29, 2021 | $20M |
Profitability Breakdown
Domestic
Week 1: $170.31K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$10.27M (98.37%)
Investor Share: $3.6M
Costs
Budget: $7M
P&A: $7M
Breakdown
Gross: $10.45M
Net: $3.7M
Costs: $14M
Profit
Profit: $-10.3M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
