Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: Tragedy strikes when Heathcliff falls in love with Catherine Earnshaw, a woman from a wealthy family in 18th-century England.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Margot Robbie | Catherine Earnshaw |
| Jacob Elordi | Heathcliff |
| Hong Chau | Nelly Dean |
| Alison Oliver | Isabella Linton |
| Shazad Latif | Edgar Linton |
| Owen Cooper | Young Heathcliff |
| Vy Nguyen | Young Nelly Dean |
| Charlotte Mellington | Young Catherine Earnshaw |
| Ewan Mitchell | Whip-Wielding Man |
| Martin Clunes | Mr. Earnshaw |
| Robert Cawsey | Gallows Master |
| Amy Morgan | Zillah |
| Jessica Knappett | Mrs. Burton |
| Millie Kent | Jane |
| Vicki Pepperdine | Sister Mercy |
| Paul Rhys | Heathcliff's Father |
| Gabriel Bisset-Smith | Hangman |
| Louie Benjamin Potts | Urchin 1 |
| Treyston Braine | Urchin 2 |
| Jaydon Eastman | Urchin 3 |
| Matt Green | Registrar |
| Ian Mitchell | Older Groom |
| Erin Barker-Jones | Young Bride |
| Andrew Charles Davis | Grave Digger 1 (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Allied | Feb 12, 2016 | $106M |
| The Light Between Oceans | Sep 2, 2016 | $20M |
| Motherless Brooklyn | Oct 31, 2019 | $26M |
| The Goldfinch | Sep 12, 2019 | $40M |
| The Return | Sep 7, 2024 | $20M |
| Three Thousand Years of Longing | Aug 24, 2022 | $60M |
| Fifty Shades Darker | Feb 8, 2017 | $55M |
| Tulip Fever | Jul 13, 2017 | $25M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $80M
P&A: $80M
Gross: $0.00
Net: $0.00
Costs: $160M
Profit: $-160M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.