Domestic Total: 2.17M
Opening Weekend: 65.59K
Legs: 3.91
Overview: On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator Richard Rodgers celebrates the opening night of his ground-breaking hit musical “Oklahoma!”.
| Name | Character |
|---|---|
| Ethan Hawke | Lorenz Hart |
| Bobby Cannavale | Eddie |
| Andrew Scott | Richard Rodgers |
| Margaret Qualley | Elizabeth Weiland |
| Patrick Kennedy | E.B. 'Andy' White |
| Jonah Lees | Morty Rifkin |
| Simon Delaney | Oscar Hammerstein |
| Giles Surridge | Sven |
| Cillian Sullivan | Stephen Sondheim |
| Michael James Ford | Lawrence Langner |
| John Doran | Weegee |
| Anne Brogan | Frieda Hart |
| David Rawle | George Roy Hill |
| Aisling O'Mara | Renee Carroll |
| Caitríona Ennis | Cigarette Girl |
| Robert Kaplow | Radio Announcer |
| Andrew Bennett | Oklahoma City Mayor |
| John Cronin | Investor |
| Elaine O'Dwyer | Gladys |
| Ian Dillon | Elizabeth’s Mothers Friend (uncredited) |
| Brian Briggs | Waiter (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Hotel Mumbai | Mar 14, 2019 | $25M |
| Is This Thing On? | Dec 19, 2025 | $0 |
| Armageddon Time | Oct 28, 2022 | $15M |
| Bombshell | Dec 13, 2019 | $32M |
| The Favourite | Nov 23, 2018 | $15M |
| Blaze | Aug 17, 2018 | $1M |
| Detroit | Jul 28, 2017 | $34M |
| Mary Queen of Scots | Dec 7, 2018 | $25M |
Week 1: $100.86K
Week 2: $902.04K
Investor Share: $496.12K
Week 3+: $1.17M
Investor Share: $583.38K
$1.01M (31.79%)
Investor Share: $353.97K
Budget: $N/A
P&A: $N/A
Gross: $3.18M
Net: $1.49M
Costs: $0.00
Profit: $1.49M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.