The AI Doc: Or How I Became an Apocaloptimist Poster
The AI Doc: Or How I Became an Apocaloptimist (2026)
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The AI Doc: Or How I Became an Apocaloptimist Revenue (Daily) (with Theater Counts)

Domestic Total: 1.27M

Opening Weekend: 646.02K

Legs: 1.97

Overview: A father-to-be tries to figure out what is happening with all this AI insanity, and explores the most powerful technology humanity has ever created... and what's at stake if we get it wrong.


TMDB

8.0

IMDB

0.0

Metacritic

0

RT Tomato

89

RT Popcorn

89

Daily Table

DateRevenue% YDTheaters
Fri, Mar 27, 2026$257,090+ 0.00%786
Sat, Mar 28, 2026$245,525 -4.50%786
Sun, Mar 29, 2026$143,405 -41.59%786
Mon, Mar 30, 2026$67,460 -52.96%786
Tue, Mar 31, 2026$94,165+ 39.59%786
Wed, Apr 1, 2026$62,830 -33.28%786
Thu, Apr 2, 2026$50,895 -19.00%786
Fri, Apr 3, 2026$57,025+ 12.04%786
Sat, Apr 4, 2026$138,220+ 142.38%786
Sun, Apr 5, 2026$59,320 -57.08%786
Mon, Apr 6, 2026$20,185 -65.97%786
Tue, Apr 7, 2026$30,905+ 53.11%786
Wed, Apr 8, 2026$24,140 -21.89%786
Thu, Apr 9, 2026$20,660 -14.42%786
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Born in ChinaAug 12, 2016$0
Show Me the FatherSep 10, 2021$0
Roadrunner: A Film About Anthony BourdainJul 16, 2021$0
Death of a NationAug 3, 2018$6M
Am I Racist?Sep 13, 2024$3M
Vindicating TrumpAug 27, 2024$0
Summer of Soul (...Or, When the Revolution Could Not Be Televised)Jul 2, 2021$0
After DeathOct 26, 2023$40M
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Profitability Breakdown

Domestic

Week 1: $921.37K

Investor Share: $552.82K

Week 2: $350.45K

Investor Share: $192.75K

Week 3+: $0.00

Investor Share: $0.00

International

$N/A (0.00%)

Investor Share: $N/A

Costs

Budget: $N/A


P&A: $N/A

Breakdown

Gross: $1.27M


Net: $745.57K


Costs: $0.00

Profit

Profit: $745.57K

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies

Keywords