Movie Information
Domestic Total: 3.5M
Opening Weekend: 3.5M
Legs: 1.13
Overview: Tethered by a frightening conclusion, Maya and the Strangers are locked on an unavoidable, unforgiving collision course — a showdown that proves they’re far from strangers now.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Feb 5, 2026 | $450,000 | + 0.00% | |
| Fri, Feb 6, 2026 | $1,585,000 | + 252.22% | 2565 |
| Sat, Feb 7, 2026 | $1,385,000 | -12.62% | 2565 |
| Sun, Feb 8, 2026 | $530,000 | -61.73% | 2565 |
Cast
| Name | Character |
|---|---|
| Madelaine Petsch | Maya |
| Richard Brake | Sheriff Rotter |
| Rachel Shenton | Debbie |
| Kyle Breitkopf | Teenage Gregory / Scarecrow |
| George Young | Howard |
| Ema Horvath | Shelly |
| Froy Gutierrez | Ryan |
| Gabriel Basso | Gregory |
| Stevee Davies | N/A |
| Hannah Galway | N/A |
| Noah P. | Aiden |
| Sara Freedland | Annie |
| Dani Klupsch | N/A |
| Ella Bruccoleri | Jasmine |
| Krystal Ellsworth | Actress |
| Pablo Sandstrom | Neil |
| Janis Ahern | Carol |
| Stephanie Aubertin | N/A |
| Canaan Davison | N/A |
| Nicholas Chaif | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Night House | Jul 15, 2021 | $0 |
| Dangerous Animals | Jun 6, 2025 | $0 |
| 28 Years Later: The Bone Temple | Jan 14, 2026 | $63M |
| Saw X | Sep 27, 2023 | $13M |
| Hell Fest | Sep 27, 2018 | $6M |
| Blair Witch | Sep 15, 2016 | $5M |
| The Strangers: Chapter 2 | Sep 25, 2025 | $9M |
| The Strangers: Chapter 1 | May 15, 2024 | $9M |
Profitability Breakdown
Domestic
Week 1: $3.95M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $9M
P&A: $9M
Breakdown
Gross: $3.5M
Net: $2.37M
Costs: $17M
Profit
Profit: $-14.63M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
